The novelist Paul Bailey, who passed away last year at 87, was celebrated for possessing a humorous talent, intense sympathy extending to his most flawed characters, and a sharpness that was never clinical. His fiction often explored the power of memory on human existence, driven by witty, staccato exchanges. Apart from fiction, he worked as a memoirist, poet, and more—this is an overview to his enduring literary legacy.
Bailey was a social being, a master conversationalist fond of lighthearted gossip, according to a fictional persona. Alongside pal author Beryl Bainbridge often enjoyed the serial drama Coronation Street and discuss it over calls. This pleasure in chatty conversations appears within his books the novel Trespasses (published in 1970) and Peter Smart’s Confessions (dating to 1977). Each includes a main male protagonist surrounded by funny, annoying, over-the-top characters, often close relatives whose impact cannot be avoided. “Why would anyone desire normality?” Ralph’s mum questions in the book Trespasses when he reveals he is gay. Like an evening with your most clever, daring companion.
The novelist penned superbly on old age, early and late in his career. His initial fiction At the Jerusalem (from 1967) follows the life of Faith Gadny during her transition to a care facility, where fellow residents provide kindness lacking from staff, whose concern through questions “Why aren’t you ladies watching the television?”. In his penultimate novel the title Chapman’s Odyssey (2011), an aged patient switches between arguing with doctors (“My wine selection is exclusive”, he insists after reprimands over liver tests) and experiencing a rush of recollections of his mother, lovers, literary figures including Pip by Dickens and Emma by Austen. The two works are filled with humorous dialogues but marked by impending endings. Throughout his novels, grins are unreliable. In that book, “the matron grinned, then ended it abruptly”; Faith Gadny chuckles anxiously if her actions are questioned. In Chapman’s Odyssey, Harry warns that “my smiles aren’t what they seem”. Readers’ smiles, however, are authentic.
Besides novels, The author excelled as a skilled autobiographer, releasing two self-written volumes. An Immaculate Mistake (from 1990) is a masterwork of reminiscence, the heading taken from his mother’s words calling him “our error” and saying he shouldn’t exist. (“Elderly, she disclosed hidden truths,” he notes. “This secret, she realized, would intrigue me.”) Within these pages appear the sources for confused, affectionate, irritating parental figures within his fiction. It also paints a moving picture of a gay youth in that era, during a time of anti-gay laws, and his relatives considered it strange for a boy to buy his mother flowers; and of a would-be thespian (Paul Bailey performed before writing) who learned Hamlet by age fifteen. His follow-up autobiography the book A Dog’s Life (from 2004) focuses on existence alongside his mixed-breed dog Circe, his former partner David, his fondness for Romania—which inspired subsequent books such as Kitty and Virgil, the title Uncle Rudolf, as well as the book The Prince’s Boy—and loads of chatter, including a tale about Iris Murdoch dubbing a participant an “idiot”.
Paul Bailey’s books tend to be short—the powerful Old Soldiers (published in 1980) is under 100 pages—however, for a more condensed choice, try his poetry from later years. The two books the poetry collection Inheritance (published in 2019) along with the title Joie de Vivre (released in 2022) exhibit Bailey’s wit, empathy, precision in small packages. These poems are full of death and life. Two love themes recur: for his mother (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his spouse Jeremy Trevathan. Within the poem Amazement, he writes of the pleasure in viewing “a silly TV show” as a couple, finishing with: “It’s remarkable, this simple act of consuming cheese and wine as darkness falls.”
There is little debate that the author’s most expansive book was Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He served as a judge for the award in 1982, a role he disliked.) This work Bailey felt proudest of, although “it exhausted him completely”. It relates Gabriel Harvey’s story, whose mum disappears and a father who becomes an insufferable elitist after inheriting wealth, with possible connections. It’s a depiction of the city in that era, a story of mental breakdown, and both comic and tragic like his other works. Additionally, it prompted a subsequent book, Sugar Cane (published in 1993), that he investigated by going to such places to watch.
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